Categories
Interview

Speaking with Rodolfo of Tu Casa Astoria

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When my husband Carlos and I have people round or throw a party, we serve empanadas: beef, chicken and cheese. But when guests ask if we made them we have to confess we ordered them – from Tu Casa at 30-10 Steinway Street, just round the corner from 30th Ave. They’ve become an expected feature at our place and are way better than any we could make.

Recently I spoke with Rodolfo, Tu Casa’s manager. He has been in the restaurant business in New York for 20 years.

“We’re unique,” Rodolfo says. “I believe we are the only Latino restaurant around here. And not only Latino – but quality, good class Latino. The majority of people here in the neighborhood are European – and the majority of the restaurants are like French, and Greek.

“So I’d like to invite people who haven’t been here – to show them what good Latino food is all about.”

While Tu Casa’s owner has Dominican and Honduran parents, the chef is Peruvian – and about 75% of the menu is Peruvian. But there are also dishes from other parts of Latin America.

When asked which is the most popular dish, Rodolfo says “Lomo saltado, and pollo saltado – saltado is a style of cooking with onions, tomatoes and cilantro.” But then continues as if spoiled for choice: “Our ceviches are very popular too, Peruvian style. Also the Peruvian fried rice – Chaufa, with chicken.”

And we have non-Peruvian dishes that are very popular: chicarrones de pollo served with tostones or with rice and beans – our steaks, our fish…”

Their busiest times are Friday and Saturday nights, though they also serve food at lunchtime and have some regulars who come every day.   During the week, Tu Casa has a happy hour in the early evening.

The first Tu Casa opened in Kew Gardens. Then came the Astoria restaurant in 2010, and just a few weeks ago the third one, in Forest Hills, opened its doors.

Rodolfo says that as manager of the restaurant he enjoys dealing with people – whether it’s staff, or customers – and resolving situations that come up. His aim is to make sure that people who come through the door feel like they are welcome and at home. The restaurant is called “Tu Casa” after all.

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Categories
Observation

Labor Day street fair on 30th Ave

 

Today as on every labor day, 30th Ave was closed to traffic.  It was filled with stalls selling food and clothes, musicians performing, and children playing on inflatable fairground rides.

It was at a 30th Ave street fair back in 2008 that National Geographic’s “Genographic Project” collected DNA cheek-samples from passers by, and found traces of almost all the ethnic lineages on earth.  An article about the findings quotes George Delis, a Greek immigrant and retired community manager: “Everybody talks about Astoria like it’s Greek.  Well, it’s not Greek. It’s everything.”

Here are four scenes from today’s fair.

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30th Ave labor day street fair 2014 - 1

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Categories
Interview

Louie “KR.ONE” Gasparro on subway graffiti – and Astoria

 

"Boutique 92" - one of Louie's Astoria murals from 1988: 38th Street and Broadway.
“Boutique 92” – one of Louie’s Astoria murals from 1988: 38th Street and Broadway.

Louie “KR.ONE” Gasparro is an artist and former NYC subway train graffiti writer.  He was one of twelve children born in Manhattan to Italian immigrants, and was raised in Astoria: he lived in Astoria from 1966 to 1996.

“I started writing graffiti very young in 1977, I was 11 years old,” says Louie.  “Ever since I can remember I was always drawing, sketching, finger painting and reading comic books.  So when I started to notice the cartoons and bubble lettering on trains I was immediately attracted to it.”

He adds: “Sketching the outline to executing it and seeing the result fly by while you are sitting in your homeroom class is really unforgettable.”  There were challenges too, of course.  “Going into a tunnel or train yard and doing a piece on a train that you liked and then walking out unscathed and not arrested were the biggest.  Painting in the dark was a challenge for sure – that’s why I painted mostly in yards.  In the daylight.”

Some of the cliques (subway writing groups) that Louie was a part of would meet up at the 30th Avenue subway station.  He met with writers from IRT (Invading Rapid Transit) and TSS (The Super Squad).  “There were guys with names like RCA (Reckless Car Artist), SN (Sick Nick), and KB (Krazy Boy) aka Savage 1.  RCA and KB were the founders and presidents of these two Astoria based cliques.”

Subway graffiti was known as writing because, Louie says, “it was letter and name based.  So we were writing.  Writing for ourselves and each other.

“Subway era graffiti was totally competitive.  Every writer would try and ‘burn’ the other with style or with quantity.”  But there was also camaraderie.  “Being a (graffiti) writer really transcended any and all social, economic, ethnic and racial boundaries.  The art was the common denominator.”

Louie grew up always feeling safe in Astoria.  “Everywhere I’d go I always knew someone.  If I didn’t, they’d usually know someone in my family.  It was a true neighborhood.  Astoria Park and all the school yards were the social network.  I still visit Astoria frequently because of the many great restaurants, and the Museum of the Moving Image, which I used to play in when it was an abandoned wreckage.”

In the mid 1980s, Louie was the first Astoria-based artist to be commissioned by the community and private businesses to do murals.  “I’m really proud of those murals,” he says.  And despite being a graffiti-writer on the trains he was a member of a community group called Graffiti Busters, helping identify what could be done for kids who were defacing property.

“I’d be sitting there with really long hair and a leather jacket explaining the psychological reasons why kids were writing their names on walls.  I got used to being stared at really quickly.”

Louie is still an artist, and a musician: his band is called Servants Of The Crown -Keepers Of The Sign.  And he recently published a book,Don 1, The King From Queens – The Life and Photos Of a NYC Transit Graffiti Master” about the influential graffiti writer from the 70s Joe “Don 1” Palattella (also from Astoria).  Louie says: “The book includes 200 never-seen-before photos of the old Astoria RR trains and the DON 1 tags and pieces (short for master-pieces) that adorned those trains.”

On why New York City saw the birth of the global street graffiti movement, Louie says: “When ‘Cornbread’ – a graffiti writer from Philadelphia – was noticed and TAKI 183 and Julio 204 took it to the next level in NYC and the whole metamorphosis from the more simplistic ‘single hits’ of graffiti signatures went to ‘bubble lettering’ and more elaborate ‘burners’ and ‘wild style’ the entire vocabulary of graffiti art was laid out on the NYC subways and streets – it was the invention of a modern art form.

“The evolution and style metamorphosis that happened in NYC from 1970 – 1980 is responsible for the global phenomena of graffiti writing and graffiti art.  I always say that we needed to write and apparently so did the world.”

Find out more:

KR.ONE’s website

New York Daily News on Louie KR.ONE Gasparro’s book on DON1: “Influential graffiti artist DON1 unveiled in new book by one of his longtime admirers”, Lisa L. Colangelo, New York Daily News, 5 Feb, 2014

And the archive of all the interviews on this website, “30th Ave – A Year in the Life of a Street”

More of Louie’s work:

KR.1 FOME 1 top to bottom whole car on the IRT # 2 train. Winter 82.  Louie says: "Last piece I ever did on a NYC subway!"
KR.1 FOME 1 top to bottom whole car on the IRT # 2 train. Winter 82. Louie says: “Last piece I ever did on a NYC subway!”

 

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PS 166 School Yard – Louie grew up and played in this school yard for many years. This is a commissioned piece of art for another PS 166 school yard alumni.

 

Mahavishnu Orchestrated 72 dpi copy
“Mahavishnu Orchestrated” – a pen and ink illustration “that basically sums up who I am”, says Louie. You have a massive drum set sitting atop a NYC subway with a “KAY-AR” burner on it.

 

KR.ONE Style copy
“Style” – a pen and ink illustration

 

KR.ONE RAINBOW BUS copy
“KR.1 – Bus Buster” A top to bottom whole bus. “Giant letters on moving steel is a great memory enhancer!”

 

"Boutique 92" - one of Louie's Astoria murals from 1988: 38th Street and Broadway.
“Boutique 92” – one of Louie’s Astoria murals from 1988: 38th Street and Broadway.

 

KR1 SeinwaySt Tee
KR. 1 Steinway Street T-Shirt

 

KR.ONE Sheepshead 1980
KR.1 Sheepshead Bay, Brooklyn. Winter 1980.

 

The cover of Louie's book, "DON1, the King from Queens"
Cover for “Don 1, The King From Queens” – Don 1 is on the cover, after an “insides” tagging mission. Bowery NYC 1976.
Categories
Interview

Speaking with Mohamed Khalil of Leli’s Bakery & Pastry Shop

Cakes on display at Leli's
Cakes on display at Leli’s

 

“Astoria is my second Alexandria” says Mohamed Khalil, the manager of Leli’s Bakery & Pastry Shop at 35-14 30th Avenue.  Originally from Egypt, Mohamed has lived in Astoria for the past eleven years.

Leli’s opened in November 2012.  It was founded by Emanuel Darmanin, known as “Leli”. Darmanin owns Melita Bakery based in the Bronx which sells bread and deserts wholesale to restaurants and hotels throughout the city.  He decided to branch out with his first storefront café, and settled on Astoria.

“In the past five, six years there has been, let’s say, a revolution in business here,” says Mohamed.  “I remember when 30th Avenue was too dark in the night.  Barely after 9 o’clock, you didn’t hear no-body.  If you had a pizza stop or something, it wasn’t a fancy one.”  But then “the first big café opened, that was Avenue Café.  They did a great business, and then came Grand Café, Flo Café, Mexi-BBQ…”

Leli’s Bakery followed suit.  At first, they would open at eight in the morning, and close at nine pm.  Now they open at seven, and at weekends stay open until eleven.  All of the food is made on site – the metal bread machines can be glimpsed through the back of the café.

The owner Darmanin is from Malta, and Maltese products feature prominently in the bakery.  There are mounds of savory Qassatat, that “TastoriaQueens” has reviewed in glowing terms, and pastizzi; small flaked-pastry snacks stuffed with ricotta cheese, beef, or spinach and feta cheese.  “In Malta, those are like the equivalent of falafel,” says Mohamed.  “Two of those will keep you going until you have your lunch or dinner.”

Then there are the sweets of course, of all shapes and sizes, from rainbow cookies to carrot cake.  Birthday cakes form colorful lines behind the glass counter and baskets brimming with croissants and muffins surround the till.  “To have a good product you have to do it from real ingredients”, says Mohamed.  “You know, nothing fat free.  That’s not what the boss is doing here.  Even if he has some sort of recipe that’s for people who want low-fat foods…that will never happen because he mixes it his Maltese way.”  Despite, that is, Darmanin being diabetic so unable to eat the delicacies his business creates.

Mohamed got to know Darmanin because a friend of his, also Egyptian, is married to one of Darmanin’s daughters.  “What I found out about any Maltese who I met here,” says Mohamed, “is that they have a background in baking.”  Mohamed finds the Maltese language easy to understand because “it’s about sixty percent Arabic.  They got the language from Libya…and the baking from Italy,” he says.  Malta, a small island in the Mediterranean, is in-between the two.

“Some people might like the feeling you get in a formal, expensive hotel,” says Mohamed.  “That’s not what we are aiming for here.”  No two chairs in Leli’s are the same, purposefully.  While we spoke on a Sunday afternoon all the chairs were occupied, and customers were queuing up at the counter for goods.  At the table next to us was Mohamed’s mother, over for a trip from Alexandria, knitting a child’s cardigan that she was hoping to complete by the end of the day.  On the other side of us, a young couple focused on their i-pads.

There is no shortage of other bakeries along 30th Avenue.  You “have to do a bit extra”, says Mohamed, to keep customers coming.

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Read more:

A New York Daily News profile of Emanuel Darmanin and Melita Bakery: “Third generation of bakers runs sweet family business in the Bronx after relocated to huge factory in Mott Haven,” New York Daily News, Feb 12, 2012

The full archive of 30th Ave interviews is here.