Categories
Observation

Closed and open

Workers and shoppers at United Brothers Fruit Market

Walking down 30th Avenue at the moment is heart-breaking and uplifting with each step.

The majority of stores are closed due to the Corona virus shut-down. Social distancing manifests itself in practical and in emotional ways: everyone in masks, buried in their phones even more than before, bringing a heaviness to the street. At the same time there are signs of kindness, dogged determination and creative openness everywhere.

March and early April was the worst period, with incessant sirens and the streets deserted. It hit me particularly when I saw the shuttered flower stand beside the corner deli on my block: usually the flower stand is open 24 hours, just in case people need 3am roses.

Yesterday though, the day before Mother’s day, the flowers were back, and business was doing well. Now that it’s May, the weather’s warmer, the sirens less frequent, more people are out and about.

Local businesses are improvising and adapting as best they can. Astoria Fashion Fabrics by 33rd Street is selling material to passers-by, to make their own masks.

Stores like Key Food, Ocean Fish Market and International Meat Market have kept going, their staff working tirelessly with stressed out and appreciative customers, and controlled conditions. They deserve medals when this is over.

Places that would usually be buzzing with activity in Spring are still shuttered off, like Athens Park.

And schools are still out.

Meanwhile at Mount Sinai Queens, health care workers have been working round the clock. This is where one of my neighbors passed away, where our local Council Member Costa Constantinides and his wife were both treated, where many lives have been saved, and where new patients continue to come in each day.

Under the subway tracks, there is still the rumble of trains overhead, but less frequent than usual. And there are no green taxis: an industry that was already reeling will have been devastated by the pandemic. Tastee Corner Delhi had already closed down for good, following the station’s months-long closure for renovations last year. Small businesses along 30th Ave – and throughout the city – will need support from policymakers and from customers like never before.

Delivery workers for GrubHub and other restaurant apps have continued their rounds, risking their health and lives. Many, laid off from other industries, have turned to delivering food to keep some income.

Meanwhile, cocktails of all kinds are still to be found…as the street’s restaurants find ways to keep going.

This photo is of the Bel Aire Diner window – on Broadway rather than 30th Ave. But it captures the fragility and strength of this time.

And on Mother’s Day 2020 – here’s to all mothers throughout the neighborhood.

Categories
Interview

Louie “KR.ONE” Gasparro on subway graffiti – and Astoria

 

"Boutique 92" - one of Louie's Astoria murals from 1988: 38th Street and Broadway.
“Boutique 92” – one of Louie’s Astoria murals from 1988: 38th Street and Broadway.

Louie “KR.ONE” Gasparro is an artist and former NYC subway train graffiti writer.  He was one of twelve children born in Manhattan to Italian immigrants, and was raised in Astoria: he lived in Astoria from 1966 to 1996.

“I started writing graffiti very young in 1977, I was 11 years old,” says Louie.  “Ever since I can remember I was always drawing, sketching, finger painting and reading comic books.  So when I started to notice the cartoons and bubble lettering on trains I was immediately attracted to it.”

He adds: “Sketching the outline to executing it and seeing the result fly by while you are sitting in your homeroom class is really unforgettable.”  There were challenges too, of course.  “Going into a tunnel or train yard and doing a piece on a train that you liked and then walking out unscathed and not arrested were the biggest.  Painting in the dark was a challenge for sure – that’s why I painted mostly in yards.  In the daylight.”

Some of the cliques (subway writing groups) that Louie was a part of would meet up at the 30th Avenue subway station.  He met with writers from IRT (Invading Rapid Transit) and TSS (The Super Squad).  “There were guys with names like RCA (Reckless Car Artist), SN (Sick Nick), and KB (Krazy Boy) aka Savage 1.  RCA and KB were the founders and presidents of these two Astoria based cliques.”

Subway graffiti was known as writing because, Louie says, “it was letter and name based.  So we were writing.  Writing for ourselves and each other.

“Subway era graffiti was totally competitive.  Every writer would try and ‘burn’ the other with style or with quantity.”  But there was also camaraderie.  “Being a (graffiti) writer really transcended any and all social, economic, ethnic and racial boundaries.  The art was the common denominator.”

Louie grew up always feeling safe in Astoria.  “Everywhere I’d go I always knew someone.  If I didn’t, they’d usually know someone in my family.  It was a true neighborhood.  Astoria Park and all the school yards were the social network.  I still visit Astoria frequently because of the many great restaurants, and the Museum of the Moving Image, which I used to play in when it was an abandoned wreckage.”

In the mid 1980s, Louie was the first Astoria-based artist to be commissioned by the community and private businesses to do murals.  “I’m really proud of those murals,” he says.  And despite being a graffiti-writer on the trains he was a member of a community group called Graffiti Busters, helping identify what could be done for kids who were defacing property.

“I’d be sitting there with really long hair and a leather jacket explaining the psychological reasons why kids were writing their names on walls.  I got used to being stared at really quickly.”

Louie is still an artist, and a musician: his band is called Servants Of The Crown -Keepers Of The Sign.  And he recently published a book,Don 1, The King From Queens – The Life and Photos Of a NYC Transit Graffiti Master” about the influential graffiti writer from the 70s Joe “Don 1” Palattella (also from Astoria).  Louie says: “The book includes 200 never-seen-before photos of the old Astoria RR trains and the DON 1 tags and pieces (short for master-pieces) that adorned those trains.”

On why New York City saw the birth of the global street graffiti movement, Louie says: “When ‘Cornbread’ – a graffiti writer from Philadelphia – was noticed and TAKI 183 and Julio 204 took it to the next level in NYC and the whole metamorphosis from the more simplistic ‘single hits’ of graffiti signatures went to ‘bubble lettering’ and more elaborate ‘burners’ and ‘wild style’ the entire vocabulary of graffiti art was laid out on the NYC subways and streets – it was the invention of a modern art form.

“The evolution and style metamorphosis that happened in NYC from 1970 – 1980 is responsible for the global phenomena of graffiti writing and graffiti art.  I always say that we needed to write and apparently so did the world.”

Find out more:

KR.ONE’s website

New York Daily News on Louie KR.ONE Gasparro’s book on DON1: “Influential graffiti artist DON1 unveiled in new book by one of his longtime admirers”, Lisa L. Colangelo, New York Daily News, 5 Feb, 2014

And the archive of all the interviews on this website, “30th Ave – A Year in the Life of a Street”

More of Louie’s work:

KR.1 FOME 1 top to bottom whole car on the IRT # 2 train. Winter 82.  Louie says: "Last piece I ever did on a NYC subway!"
KR.1 FOME 1 top to bottom whole car on the IRT # 2 train. Winter 82. Louie says: “Last piece I ever did on a NYC subway!”

 

SAMSUNG
PS 166 School Yard – Louie grew up and played in this school yard for many years. This is a commissioned piece of art for another PS 166 school yard alumni.

 

Mahavishnu Orchestrated 72 dpi copy
“Mahavishnu Orchestrated” – a pen and ink illustration “that basically sums up who I am”, says Louie. You have a massive drum set sitting atop a NYC subway with a “KAY-AR” burner on it.

 

KR.ONE Style copy
“Style” – a pen and ink illustration

 

KR.ONE RAINBOW BUS copy
“KR.1 – Bus Buster” A top to bottom whole bus. “Giant letters on moving steel is a great memory enhancer!”

 

"Boutique 92" - one of Louie's Astoria murals from 1988: 38th Street and Broadway.
“Boutique 92” – one of Louie’s Astoria murals from 1988: 38th Street and Broadway.

 

KR1 SeinwaySt Tee
KR. 1 Steinway Street T-Shirt

 

KR.ONE Sheepshead 1980
KR.1 Sheepshead Bay, Brooklyn. Winter 1980.

 

The cover of Louie's book, "DON1, the King from Queens"
Cover for “Don 1, The King From Queens” – Don 1 is on the cover, after an “insides” tagging mission. Bowery NYC 1976.